Mix Analysis #12
Lord of the Rings: The Two
Towers
|
Time
|
SFX 1
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SFX 2
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SFX 3
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Voice
|
Music
|
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0:00 – 0:15
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Punching
|
Moving
|
|
Gandalf
|
Adventurous
|
|
0:15 – 0:17
|
Armor clinking
|
|
Growl
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Gimli
|
|
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0:20 – 0:21
|
|
|
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Gandalf
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Dreary
|
|
0:23 – 0:25
|
Footsteps
|
|
|
|
|
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0:25 – 0:26
|
|
|
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Theodin
|
|
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0:26 - 0:33
|
|
Footsteps
|
|
Gandalf
|
|
|
0:29 – 0:43
|
|
|
Thunder
|
|
|
|
0:33 – 0:43
|
|
|
|
Theodin
|
x
|
|
0:43 – 0:50
|
|
|
|
Theodin
|
Dreary
|
|
0:51 – 0:52
|
Robe Drop
|
|
|
|
Choir
|
|
0:53 – 0:54
|
|
|
|
Theodin
|
|
|
0:55 – 1:00
|
|
|
|
Gandalf
|
|
|
1:00 – 1:04
|
Hitting Wood
|
|
Whooshing
|
|
|
|
1:05 – 1:08
|
|
Footsteps
|
|
|
|
|
1:10 -1:12
|
|
|
|
Aragorn
|
|
|
1:13 – 1:17
|
|
|
|
Theodin
|
|
|
1:17 – 1:18
|
Hitting Wood
|
Whooshing
|
|
|
|
|
1:18 – 1:26
|
Wood Cracking
|
|
Whooshing
|
Gandalf
|
|
|
1:26 – 1:27
|
|
|
|
Theodin
|
|
|
1:27 – 1:29
|
Whooshing
|
Hitting Wood
|
|
|
|
|
1:29 – 1:30
|
|
|
|
Gandalf
|
|
|
1:31 – 1:32
|
|
|
|
Theodin
|
|
|
1:32 – 1:35
|
Wood Cracking
|
|
Hitting Wood
|
|
|
|
1:35 – 1:36
|
|
|
|
Theodin
|
|
|
1:36 – 1:37
|
Hit
|
Screeching
|
Sliding
|
|
x
|
|
1:37 – 1:42
|
|
|
|
|
Dreary
|
|
1:42 – 1:43
|
|
|
|
Theodin
|
|
|
1:45 – 1:46
|
|
|
|
Gandalf
|
x
|
|
1:48 – 1:50
|
Moving in Chair
|
|
|
Theodin
|
|
|
1:50 – 1:53
|
|
|
Footsteps
|
Heavy Breathing
|
|
|
1:57 – 2:13
|
Heavy Wind
|
|
|
|
Up lifing Music
|
Re-Recording Mixer :
Christopher Boyse
-The Avengers
-TRON: Legacy
Supervising Sound Editor:
Mike Hopkins
-Transformers
-The Frighteners
Mixed at: Skywalker Ranch
Marin County, CA
This movie, in my opinion,
seemed very hard to mix. For one, it's so long, and two it is such a
vast and epic movie spanning so many different locations, and using
many SFX, that I wouldn't even know where to start. The scene I
chose, is a very cool scene in my opinion. When I first watched it,
there seemed to be more sounds in there than when I went back and did
the sound map. There was more music and talking than actual sound
effects. The sound effects were very well placed and well mixed.
Everything seemed to fit in to the scene nicely. But they didn't make
the scene, what really did was the music. The music for this scene
was incredible. Everything from the mixing down to how long each
piece was for what parts of the scene. Even when there was no music,
I could almost hear what would have gone into that empty space. The
change from piece to piece was very seamless. When the scene first
started, it was a very adventurous song, action packed, because of
the fighting. Then when Gandalf started exercising Theodin, the mood
quickly changed to dreary and uneasy. Then when Gandalf takes off his
robe and reveals his white robes underneath, the music changes again
to an angelic choir. Everything seemed to have a place in the space
of the scene it was not too much or too little. Everything was just
right.
In an article on
mixonline.com, it goes through and talks to some of the sound people
that worked on the film. Chris Boyes, the lead re recording mixer,
and how he used some of what he learned off the first movie, to help
the sound of the second movie. He stated that the first movie was a
bit too loud, so on this movie, he didn't want to over do the
loudness of this movie. He stated that he didn't want it to be too
“in-your-face” and that it was a challenge because the reels of
film were so big. I believe that he did a great job fixing the
problem. In the scene that I reviewed, nothing was too in your face.
Everything was as loud as it could be without being too in your face.
Mixing this movie was a
huge challenge not only because of having to try and keep things at
an audible level, but also using and revamping sounds from the first
movie, and mixing without the director being there. For this movie,
Chris Boyes used a lot of sound effects from the first film but would
make them have a bit more lower end, and darker. He states that some
scenes were more ghost-ly and panning around the audience to give a
dreary feel to some scenes. Also he started the mixes while Peter
Jackson was in London working with the music. So Boyse had to
essentially do a skype session with Mr. Jackson to have him hear the
mixes and see what Mr. Boyse wanted to do with them. It wasn't as
good as having them in the same room together, but it was better than
just written notes. The final mix was with both the Mr. Boyse and
Jackson at a dub studio later on.
http://mixonline.com/sound4picture/film_tv/audio_two_towers/
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