Mix Analysis # 9
Little
Lion Man-Mumford and Sons
0:00-0:14 – Acoustic
Guitar,
0:14-:0:28 – Electric
Guitar, Acoustic Guitar, Banjo, Drum, Bass
0:28-0:43 – Vocals,
Acoustic Guitar, Electric Guitar, Bass
0:43-0:55 – Vocals,
Acoustic Guitar, Electric Guitar, Bass, Piano
0:55-1:10 – Vocals,
Backing Vocals, Piano, Acoustic Guitar, Electric Guitar, Banjo, Bass
1:10-1-:25 – Acoustic
Guitar, Banjo, Drum, Electric Guitar, Piano, Bass
1:25-1:51 – Vocals,
Acoustic Guitar, Banjo, Electric Guitar, Piano, Bass
1:51-2:19 – Acoustic
Guitar, Banjo, Drum, Electric Guitar, Piano, Bass
2:19-2:46 – Electric
Guitar, Bass, Piano, Banjo
2:46-3:14 – Vocals,
Backing Vocals, Electric Guitar, Bass, Piano, Banjo
3:14-3:28 – Vocals,
Backing Vocals, Electric Guitar, Bass, Piano, Banjo, Drum
3:28-3:43 – Acoustic
Guitar, Banjo, Drum, Electric Guitar, Piano, Bass
3:43-3:56 – Vocals,
Backing Vocals
3:56-4:02 – Fade out
|
Instrument
|
Pan
|
Level
|
|
Vocals
|
-3
|
-3
|
|
Backing Vocals
|
-4
|
-7
|
|
Electric Guitar
|
-7/+8
|
-11
|
|
Banjo
|
-10
|
-5
|
|
Acoustic Guitar
|
(Positive)7
|
-8
|
|
Piano
|
-8
|
-6
|
|
Bass
|
-2
|
-15
|
|
Drum
|
(Positive)4
|
-9
|
Producer: Marcus Dravs
Mixing: Ruadhri Cushnan
-Ray Charles
-Cletus
Mixed at Ruadhri Cushnan's
studio in London
Mastering: Bob Ludwick
-Rush
-Pearl Jam
Mastered at Gateway
Mastering in Portland, ME
This song is in 4/4 meter.
The song is pretty well
mixed. It does seem very airy though because a lot of tracks have
reverb and delays on them. The song starts off with just one Acoustic
guitar that was mic'd with two mics, and it sound pretty good. A
little reverb was thrown in to give the guitar some body and width.
As the song progresses, more and more instruments join in. There is
an electric guitar in the back that just gives off a feedback sound
that sounds really cool within the whole song. The banjo is a major
part of the band, and a huge part of this song. In some parts it is
the loudest portion then in others, it is tucked under some other
instruments. Also it gets panned a little from left to right. The
vocal track was just one single track that had prints underneath it.
There was some compression and reverb added to it. The backing vocals
were tucked behind the main vocals just to add more body and feeling
to the song. By themselves, they sound awful. But in the context of
the song, it gives it character. The piano comes in sporadically
throughout the song. Nothing much to that, its panned a little more
to the left than the right. There is bass in the song, its very hard
to hear but there is. There is some compression on the bass , and
also, there were multiple bass tracks to give the bass its crunchy
feel. There is one kick drum in the song, and I find that very
unique. The drum is booming when it is hit, but just like the piano,
comes in sporadically, or when the song picks up, I.e, chorus.
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